October 30, 2015 6:00 PM - 10:00 PM

Luminous Mischief

LUMINOUS MISCHIEF
Free, public dance and music event with Stephen Petronio Company under Teresita Fernández’s Fata Morgana
Music direction by Michael McGinnis

Friday, October 30, 2015

6:00PM – 7:00PM
Madison Square Park
23rd Street and Madison Avenue
New York, NY 10010

On Friday, October 30, 2015 from 6:00PM to 7:00PM, Madison Square Park Conservancy hosted Luminous Mischief, a free, public performance under artist Teresita Fernández’s Fata Morgana. Fernández welcomed internationally acclaimed choreographer Stephen Petronio and his company of nine dancers to activate the space of public art with an array of interactions between a citywide assembly of performers and passersby in the Park.

Luminous Mischief invited open-ended, free form dance practices into a dynamic public space, blending the power of spontaneous play and the cinematic reflections of pedestrian activity that flicker across Fernández’s artwork. The event was accompanied by a musical sound score executed by a similarly assembled brass orchestra.

Petronio, Fernández and Madison Square Park Conservancy initiated an open call for dancers and brass musicians from around the New York metropolitan area. This group of artists met for the first time at the start of the event on October 30 to improvise together under Petronio’s direction and score. Luminous Mischief encouraged a sense of experimentation and exchange between strangers, encouraging overlapping communities of artists and the public at large to move through the mirage-like environment of Fata Morgana, amplified by layers of sound and dance. Participants became part of a communal expression where the line between spectator and performer was blurred.

Choreographer Stephen Petronio’s numerous accolades include a John Simon Guggenheim Fellowship, an American Choreographer Award, a New York Dance and Performance “Bessie” Award, and a Doris Duke Performing Artist Award. Petronio has created over 35 works for his company and has been commissioned by some of the world’s most prestigious modern and ballet companies, including the Washington Ballet, Scottish Ballet, and the National Dance Company Wales. Petronio was the first Artist-in-Residence at The Joyce Theater, New York (2012–2014).

With an ongoing series of interdisciplinary public programs, Teresita Fernández emphasizes Fata Morgana’s unique platform as a democratic public space used for communal gathering, contemplation, and free expression. Fernández hopes to expand our assumptions about who exactly constitutes “the public,” the makeup of which is as mutable and fluid as the reflections captured by her sculpture. This event with Stephen Petronio Company transformed the conventions of how the public exists, valuing process and chance while shifting proximities and psychological relationships between its participants.

Luminous Mischief is free and open to the public.

#LuminousMischief #FataMorgana #StephenPetronio #TeresitaFernandez #MadSqArt

About Stephen Petronio:
For 30 years, Stephen Petronio has honed a unique language of movement that speaks to the intuitive and complex possibilities of the body informed by its shifting cultural context. He has collaborated with a wide range of artists in many disciplines over his career and holds the integration of multiple forms as fundamental to his creative drive and vision. He continues to create a haven for dancers with a keen interest in the history of contemporary movement and an appetite for the unknown. Petronio was born in Newark, NJ, and received a BA from Hampshire College in Amherst, MA, where he began his early training in improvisation and dance technique. He was greatly influenced by working with Steve Paxton and was the first male dancer of the Trisha Brown Dance Company (1979 to 1986). He has gone on to build a unique career, receiving numerous accolades, including a John Simon Guggenheim Fellowship, awards from the Foundation for Contemporary Performance Arts, New York Foundation for the Arts, an American Choreographer Award, a New York Dance and Performance “Bessie” Award, and most recently a 2015 Doris Duke Performing Artist Award.

Petronio has created over 35 works for his company and has been commissioned by some of the world’s most prestigious modern and ballet companies, including William Forsythe’s Ballett Frankfurt (1987), Deutsche Oper Berlin (1992), Lyon Opera Ballet (1994), Maggio Danza Florence (1996), Sydney Dance Company (2003, full evening), Norrdans (2006), the Washington Ballet (2007), The Scottish Ballet (2007), and two works for National Dance Company Wales (2010 and 2013).

His company repertory works have been set on The Scottish Ballet, Norrdans in Sweden, Dance Works Rotterdam, National Dance Company Wales, X Factor Dance Company in Edinburgh, Ballet National de Marseille, Ballet de Lorraine, and London Contemporary Dance Theater, as well as universities and colleges throughout the U.S. In 2009, Petronio completed an evening-length work for 30 dancers, Tragic Love, in collaboration with composer Son Lux for Ballet de Lorraine. He completed several additional new works with Son Lux: By Singing Light, for National Dance Company Wales (2010), The Social Band, a commission for OtherShore Dance Company in New York (2011), and numerous unique editions of Like Lazarus Did (2013) for Stephen Petronio Company. Other recent projects include Prometheus Bound (2011), a musical for the American Repertory Theater, in collaboration with director Diane Paulus (HAIR), writer and lyricist Steven Sater (Spring Awakening), and composer Serj Tankian (Grammy award, lead vocalist System of a Down). In 2013, Petronio created a new work, Water Stories, for National Dance Company Wales in collaboration with composer Atticus Ross (Nine Inch Nails) and photographer Matthew Brandt with visual designer Ken Tabachnick.

Petronio, whose training originated with leading figures of the Judson era, performed Man Walking Down the Side of a Building in 2010 for Trisha Brown Company at the Whitney Museum, and performed his 2012 rendition of Steve Paxton’s Intravenous Lecture (1970) in New York, Portland, and at the TEDMED-2012 conference at the Kennedy Center Opera House in Washington, DC. Petronio received the distinction of being named the first Artist-in-Residence at The Joyce Theater from 2012–2014. He is currently entangled with visual artist Janine Antoni in a number of discipline-blurring projects, one of which is the video installation Honey Baby (2013), created in collaboration with composer Tom Laurie and filmmaker Kirsten Johnson. In 2015, Petronio and Antoni exhibited at testsite Austin and SITE Santa Fe. An ongoing new work, Ally, in collaboration with Anna Halprin and Adrian Heathfield, will premiere at The Fabric Workshop and Museum in Philadelphia in spring 2016. Petronio has recently published a memoir, Confessions of a Motion Addict.

About Teresita Fernández:
Teresita Fernández (American, b. 1968) is a 2005 MacArthur Foundation Fellow and the recipient of many prestigious awards, including a John Simon Guggenheim Memorial Foundation Fellowship, a National Endowment for the Arts Artist’s Grant, an American Academy in Rome Affiliated Fellowship, and a Louis Comfort Tiffany Biennial Award. Appointed by President Obama, Fernández served from 2011-2014 on the U.S. Commission of Fine Arts, a federal panel that advises the President, Congress, and governmental agencies on national matters of design and aesthetics.

Fernández’s large-scale commissions include recent site-specific works at Louis Vuitton locations in Shanghai and Paris. Additional site-specific installations include Amethyst Cinema at the Galerie Pfriem at SCAD, France, and Blind Blue Landscape at the renowned Bennesee Art site in Naoshima, Japan. Fernández is the youngest artist commissioned by the Seattle Art Museum for Olympic Sculpture Park where her permanently installed work, Seattle Cloud Cover, allows visitors to walk under a covered skyway while viewing the city’s skyline through optically shifting multicolored glass. The artist recently closed an immersive, large-scale exhibition, As Above So Below, which was on view at MASS MoCA through April 5, 2015.

Fernández’s works are included in many prominent collections and have been exhibited extensively both nationally and internationally at The Museum of Modern Art, New York; the San Francisco Museum of Modern Art; The Museum of Fine Arts, Boston, MA; The Modern Art Museum of Ft. Worth, TX; The Smithsonian Museum of American Art, Washington, D.C.; Castello di Rivoli, Turin, Italy; The Corcoran Gallery of Art, Washington D.C.; Centro de Arte Contemporaneo, Spain; and the Institute of Contemporary Art, Philadelphia. Fernández is currently on the board of Artpace, a non-profit, international artist’s residency program. She received her MFA from Virginia Commonwealth University and her BFA from Florida International University. The artist lives and works in Brooklyn, New York.

About Mad. Sq. Art and Madison Square Park Conservancy:
Mad. Sq. Art is the free, contemporary art program of Madison Square Park Conservancy. Since 2004, Mad. Sq. Art has commissioned and presented more than thirty premier installations in Madison Square Park by acclaimed artists ranging in practice and media. Mad. Sq. Art has exhibited works by artists including Bill Beirne, Jim Campbell, Tony Cragg, Richard Deacon, Mark di Suvero, Rachel Feinstein, Bill Fontana, Ernie Gehr, Orly Genger, Sandra Gibson & Luis Recoder, Antony Gormley, Paula Hayes, Jene Highstein, Tadashi Kawamata, Mel Kendrick, Sol LeWitt, Olia Lialina & Dragan Espenschied, Rafael Lozano-Hemmer, Charles Long, Iván Navarro, Jacco Olivier, Roxy Paine, Rachel Feinstein, Giuseppe Penone, Jaume Plensa, Shannon Plumb, Ursula von Rydingsvard, Alison Saar, Jessica Stockholder, Leo Villareal, and William Wegman.

Madison Square Park’s 6.2-acre site welcomes more than 50,000 daily visitors – a richly diverse audience including local residents, families, public school groups and day camps, office workers, students, artists, and international tourists.
Madison Square Park Conservancy is the not-for-profit organization whose mission is to protect, nurture, and enhance Madison Square Park, a dynamic public green space, creating an environment that fosters moments of inspiration. The Conservancy is committed to engaging the community through its beautiful gardens, inviting amenities, and world-class programming. Madison Square Park Conservancy is licensed by the New York City Department of Parks and Recreation to manage Madison Square Park and is responsible for raising 98% of the funds necessary to operate the Park, including brilliant horticulture, park maintenance, sanitation, security, and free cultural programs for Park visitors of all ages. For more information on Madison Square Park Conservancy and its programs, please visit http://madisonsquarepark.org.

About Fata Morgana:
Fata Morgana by New York-based artist Teresita Fernández is Madison Square Park Conservancy’s largest and most ambitious outdoor sculpture to date. The outdoor sculpture consists of 500 running feet of golden, mirror-polished discs that create canopies above the pathways around the Park’s central Oval Lawn.

In nature, a Fata Morgana is a horizontal mirage that forms across the horizon line. Alluding to this phenomenon, Fernández’s project introduces a shimmering horizontal element to the Park that engages visitors in a dynamic experience. The installation is a mirror-polished, golden metal sculpture that hovers above the Park’s winding walkways to define a luminous experiential passage for Park visitors. The metal forms, perforated with intricate patterns reminiscent of foliage, create abstract flickering effects as sunlight filters through the canopy, casting a golden glow across the expanse of the work, paths, and passersby. The project is Mad. Sq. Art’s first to fully utilize the upper register of a visitor’s space.

Fata Morgana was designed by Teresita Fernández in collaboration with SITU Fabrication. Fata Morgana was fabricated by Adirondack Studios. Structural engineering by Thornton Tomasetti.

Join the conversation on Twitter and Instagram via the hashtags #MadSqArt, #TeresitaFernandez and #FataMorgana.

Support:
Major exhibition support for Fata Morgana is provided by Lehmann Maupin, New York and Hong Kong, and Anthony Meier Fine Arts, San Francisco.

Substantial exhibition support for Fata Morgana is provided by the Jacques and Natasha Gelman Foundation. Major support for Mad. Sq. Art is provided by The Charina Endowment Fund, Toby Devan Lewis, Pentagram Design, Sorgente Group of America, Thornton Tomasetti, Tiffany & Co., The Andy Warhol Foundation for the Visual Arts, and Anonymous. Substantial support is provided by The Buhl Foundation, Irving Harris Foundation, The Sol LeWitt Fund for Artist Work, The Henry Luce Foundation, Danny and Audrey Meyer, Ronald A. Pizzuti, and The Rudin Family. Ace Hotel New York is the Official Hotel Partner of Madison Square Park Conservancy.

This project is supported in part by an award from the National Endowment for the Arts. Mad. Sq. Art is made possible in part by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. Mad. Sq. Art is supported in part with public funds from the New York City Department of Cultural Affairs, in partnership with the City Council. Madison Square Park Conservancy is a public/private partnership with the New York City Department of Parks & Recreation.

2015-10-30 18:00:00 2028-04-16 22:00:00 America/New_York Luminous Mischief

LUMINOUS MISCHIEF Free, public dance and music event with Stephen Petronio Company under Teresita Fernández’s Fata Morgana Music direction by Michael McGinnis Friday, October 30, [Read More]

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